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Featured Drama Books: March 2024

by Anonymous on 2024-03-08T13:18:02-08:00 in Arts, Theatre | 0 Comments

A small number of items from the Drama Library. To request a purchase, please email Madison Sullivan, Drama Librarian.

Click the title for a link to the UW Libraries catalog for more information. Login with your UW NetID to request a book be held for you at the Drama Library for pick up.

Descriptions of each title are provided by the referenced publisher.

Staff Pick: "Dancing at Lughnasa"

Cover ArtDancing at Lughnasa by Brian Friel
Call Number: PR6056.R5 D36 1990
Publication Date: 1998
Publisher: Faber
Told through the memory of Michael Evans, Brian Friel's play explores the story of five unmarried sisters living in a small village in Ireland in 1936. Michael Evans, the illegitimate son of one of the sisters, is only seven years old as the sisters acquire their first radio and he meets his father for the first time. The family will never be the same. 
 
 
 
 
 
 
 
 
Cover ArtThe Diviner: the Art of Brian Friel by Richard Pine
Call Number: PR6056.R5 Z86 1999
Publication Date: 2019
Publisher: University College Dublin Press
Written with the co-operation of Brian Friel and including an assessment of his latest work, this is a completely rewritten and updated edition of Brian Friel and Ireland's Drama, published in 1990.

Featured LGBTQIA Play:

Cover Art5 Lesbians Eating a Quiche by Evan Linder; Andrew Hobgood
Call Number: PS3612.I53264 F58 2014
Publication Date: 2012
Publisher: Samuel French
It's 1956 and the Susan B. Anthony Society for the Sisters of Gertrude Stein are having their annual quiche breakfast. The normally peaceful gathering is threatened when the matriarchs are told an atom bomb may be falling on their city. They must face their fears and confess secrets. Will they be able to keep their cool when Communists threaten their idyllic town?

Featured BIPOC Play:

Cover ArtWomen of the Fur Trade by Frances Koncan
Call Number: PR9199.4.K6573 W66 2022
Publication Date: 2022
Publisher: Playwrights Canada Press
In eighteen hundred and something something, somewhere upon the banks of a Reddish River in Treaty One Territory, three very different women with a preference for twenty-first century slang sit in a fort sharing their views on life, love, and the hot nerd Louis Riel. Marie-Angelique, a Metis Taurus, is determined to woo Louis (a Metis Libra)--who will be arriving soon--by sending him boldly flirtatious letters. Eugenia, an Ojibwe Sagittarius, brings news of rebellion back to the fort after trading, but isn't impressed by Louis's true mediocre nature. And Cecilia, a pregnant British Virgo, is anxiously waiting on her husband's return from an expedition, but can't resist pining over the heartthrob Thomas Scott (Irish Capricorn), who is actually the one secretly responding to Marie-Angelique's letters. This will all go smoothly, right? 

Featured Guides and Criticism: 

Different items in the Drama Library that look further into what makes an actor an actor and what makes a play a play. These selections are focused on discussing drama and offering advice to those in the profession. 

Cover ArtThe Anatomy of Insults in Shakespeare's World by Nathalie Vienne-Guerrin
Call Number: PR3072 .V54 2022
Publication Date: 2022
Publisher: The Arden Shakespeare, Bloomsbury Publishing Plc
The Anatomy of Insults in Shakespeare's World explores Shakespeare's complex art of insults and shows how the playwright set abusive words at the heart of many of his plays. It provides valuable insights on a key aspect of Shakespeare's work that has been little explored to date. Focusing on the most memorable scenes of insult, abusive characters and insulting effects in the plays. Grasping insult as a specific speech act, the volume explores the issues of verbal violence and verbal shields and the importance of reception and interpretation in matters of insult. It offers a panorama of the Elizabethan politics of insult and redefines Shakespeare's drama as a theatre of insults.
 
 
 
 
 
 
 
Cover ArtTheatre And (Im)migration by Yana Meerzon (Editor)
Call Number: PR9191.2 .T44 2019
Publication Date: 2019
Publisher: Playwrights Canada Press
The collection of essays demonstrates how the increased presence of immigrant theatre artists actively contributing to English- and French-Canadian theatre prompt their audiences to rethink fundamental concepts of nationalism and multiculturalism. 

Featured Costume and Stage Design: 

Different items in the Drama Library that look further into how costumes and stages are designed in modern, medieval and ancient contexts. These selections focus on discussing how costume and stage design can impact a play as well as offering advice to those in the profession. 

Cover ArtCreating Costumes for Devised Theatre by Kyla Kazuschyk
Call Number: PN2067 .K39 2023
Publication Date: 2023
Publisher: Routledge, Taylor & Francis Group
Provides concrete strategies for designing for devised productions that haven't yet been collected in one resource. Offers lessons learned from multiple experiences and perspectives through interviews with working practitioners. Gives step by step instructions that can streamline costume design and construction processes.
 
 
 
 
 
 
 
 
Cover ArtAdapting Performance Between Stage and Screen by Victoria Lowe
Call Number: PN1997.85 .L69 2020
Publication Date: 2020
Publisher: Intellect Books
Adapting Performance Between Stage and Screen provides an introduction to adaptations between theater and film, establishing a framework for considering these as distinct from literary adaptation. The book places emphasis on performance and event, opening new avenues of exploration to include non-literary issues such as the treatment of space and place, scène, acting styles, and star personas. The recent growth of digital theater is examined to foreground the "events" of theater and cinema--largely ignored in adaptation studies--with phenomena such as National Theatre Live analyzed for the different ways that "liveness" is adapted. Drawing from case studies that explore distinct periods in British film and theater history, the volume looks at issues surrounding theatrical naturalism and cinematic realism and illustrates the principle that adaptations can't be divorced from the historical and cultural moment in which they are produced. Adapting Performance Between Stage and Screen explores how cultural values can be articulated in the act of translating between media, providing a new framework for the discussion of theater and film as dramatic works.

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