Libraries Unbound: 2016 Authors (Literary Voices)

The past 50 years have seen a tremendous arts boom in Seattle, which has given the city not only internationally recognized classical music institutions but also great performance halls to showcase their work and that of visiting artists. From Igor Stravinsky's presence as guest conductor at the World's Fair in 1962, to Speight Jenkins's masterly production of Wagner's Ring cycle, to the work of benefactors such as Jack and Becky Benaroya, Seattle is deservingly well known as a city of the musical arts. In Classical Seattle, Melinda Bargreen documents the lives of prominent figures in the local classical music world. Informed by Bargreen's experience as a music critic and drawing on interviews she conducted over several decades, the 35 biographical profiles presented here illuminate the conductors, performing artists, composers, arts organizers, and arts leaders who have shaped Seattle's classical music community and made world-class performances possible. Among the individuals featured are University of Washington virtuosi, Seattle Symphony maestros and musicians, and Seattle Opera directors.

Wendy Call visited the Isthmus of Tehuantepec--the lush sliver of land connecting the Yucatan Peninsula to the rest of Mexico--for the first time in 1997. She found herself in the midst of a storied land, a place Mexicans call their country's "little waist," a place long known for its strong women, spirited marketplaces, and deep sense of independence. She also landed in the middle of a ferocious battle over plans to industrialize the region, where most people still fish, farm, and work in the forests. In the decade that followed her first visit, Call witnessed farmland being paved for new highways, oil spilling into rivers, and forests burning down. Through it all, local people fought to protect their lands and their livelihoods--and their very lives.    Call's story, No Word for Welcome, invites readers into the homes, classrooms, storefronts, and fishing boats of the isthmus, as well as the mahogany-paneled high-rise offices of those striving to control the region. With timely and invaluable insights into the development battle, Call shows that the people who have suffered most from economic globalization have some of the clearest ideas about how we can all survive it.

Drawing on empirical research, clinical case material and vivid examples from modern culture, The Psychology of Overeating demonstrates that overeating must be understood as part of the wider cultural problem of consumption and materialism. Highlighting modern society's pathological need to consume, Kima Cargill explores how our limitless consumer culture offers an endless array of delicious food as well as easy money whilst obscuring the long-term effects of overconsumption. The book investigates how developments in food science, branding and marketing have transformed Western diets and how the food industry employs psychology to trick us into eating more and more - and why we let them. Drawing striking parallels between 'Big Food' and 'Big Pharma', Cargill shows how both industries use similar tactics to manufacture desire, resist regulation and convince us that the solution to overconsumption is further consumption. Real-life examples illustrate how loneliness, depression and lack of purpose help to drive consumption, and how this is attributed to individual failure rather than wider culture. The first book to introduce a clinical and existential psychology perspective into the field of food studies, Cargill's interdisciplinary approach bridges the gulf between theory and practice. Key reading for students and researchers in food studies, psychology, health and nutrition and anyone wishing to learn more about the relationship between food and consumption.

For once, Emma Lord, editor-publisher of The Alpine Advocate, isn't thrilled by having an inside track. The Seattle strangling murder of Alpine native Carol Stokes is generating headlines, but the accused killer is Emma's long-lost cousin Ronnie, who swears he was out drinking when his girlfriend was strangled. But he can't prove it, and neighbors claim they heard the couple fighting moments before the murder. Now Emma and supersnoop Vida, the Advocate's house-and-home editor, must find another suspect. Someone who hated Carol enough to write a tragic ending to her life story. Someone who is preparing to edit Emma and Vida right out of existence. . . .

In 1892, a few dozen Jewish women in Seattle came together to put into practice the principle of "tzedakah," Hebrew for charity. One of their first acts was not even for unfortunate members of their tiny religious community but for survivors of a disastrous mine accident. Calling their organization the Ladies' Hebrew Benevolent Society, they extended their volunteer efforts to the needy whose numbers were swollen by fugitives from czarist pogroms and Ottoman oppression. Often aid was in the form of little more than a basket of food and some children's clothing, but the ladies arranged jobs and medical care too. Over the decades, the society transformed from a volunteer women's charitable group to a social services provider with paid professionals and more sophisticated programs, becoming the agency we know as Jewish Family Service (JFS).

Her name was Rosamond Pinchot: hailed as "The Loveliest Woman in America," she was a niece of Pennsylvania governor Gifford Pinchot; cousin to Edie Sedgwick; half sister of Mary Pinchot Meyer, JFK's lover; friend to Eleanor Roosevelt and Elizabeth Arden. At nineteen she was discovered aboard a cruise ship, at twenty-three she married the playboy scion of a political Boston family, but by thirty-three she was dead by her own hand. Seventy years later, her granddaughter, a noted landscape architect, received Rosamond's diaries and embarked on a search to discover the real Rosamond Pinchot. Unearthing what appeared to be a glamorous fairy-tale existence, Bibi Gaston discovers the roots of the ties that bind and break a family, and uncovers the legacy of two great American dynasties torn apart by her grandmother's untimely death. This is a tale of three lives and five generations, mothers and grandmothers, longing, holding on and letting go, men, beauty, diets, and letting beauty slip. This is the story of how we make the most of our brief, beautiful lives.

Lewis George Clarke published the story of his life as a slave in 1845, after he had escaped from Kentucky and become a well-regarded abolitionist lecturer throughout the North. His book was the first work by a slave to be acquired by the Library of Congress and copyrighted. During the 1840s he lived in the Cambridge, Massachusetts, home of Aaron and Mary Safford, where he encountered Mary's stepsister, Harriet Beecher Stowe, along with Frederick Douglass, Lewis Tappan, Gerrit Smith, Josiah Henson, John Brown, Lydia Child, and Martin Delaney. His experiences are evident in Uncle Tom's Cabin, published in 1852, and Stowe identified him as the prototype for the book's rebellious character George Harris. This facsimile edition of Clarke's book is introduced by his great grandson, Carver Clark Gayton, who has served as director of Affirmative Action Programs at the University of Washington; corporate director of educational relations and training for the Boeing Company; lecturer at the Evans School of Public Administration, University of Washington; and executive director of the Northwest African American Museum. He lives in Seattle.

Find and document your sighting of the most elusive and mysterious creature to inhabit the North American wilds:Sasquatch - Provides observational techniques for uncovering nature's clues hiding in plain sight - Includes maps, scientific figures, and illustrations - NOT A SPORTSMAN'S HUNTING GUIDE, as Sasquatch's value to science is incalculable!Bestselling writer and naturalist David George Gordon delves into the remarkable history of one of the most iconic creatures of the Pacific Northwest: Sasquatch. This new field guide introduces readers to Sasquatch - also popularly known as Bigfoot - in nature, in myth, and in modern culture. Gordon explores folklore, testimonies and evidence, and modern day encounters. He pieces together the species' physical features, behavior, and habitat, and suggests a "critical thinking" approach to the facts surrounding Sasquatch.Whether or not you are the one to discover Sasquatch, The Sasquatch Seeker's Field Manual will help you become a better observer of nature, more knowledgeable data-gatherer, and improve your skill in basic tracking and wilderness navigation. Becoming a proficient citizen-scientist is a step toward bringing this creature into the spotlight of the scientific community. And along the way The Sasquatch Seeker's Field Manual will give you a deeper appreciation for the impact it has had on our daily lives, ranging from Sasquatch garden pavers to frozen Yeti Yogurt.

I have been standing on the side of life, watching it float by. I want to swim in the river. I want to feel the current. So writes Mamah Borthwick Cheney in her diary as she struggles to justify her clandestine love affair with Frank Lloyd Wright. Four years earlier, in 1903, Mamah and her husband, Edwin, had commissioned the renowned architect to design a new home for them. During the construction of the house, a powerful attraction developed between Mamah and Frank, and in time the lovers, each married with children, embarked on a course that would shock Chicago society and forever change their lives. In this ambitious debut novel, fact and fiction blend together brilliantly. While scholars have largely relegated Mamah to a footnote in the life of America’s greatest architect, author Nancy Horan gives full weight to their dramatic love story and illuminates Cheney’s profound influence on Wright. Drawing on years of research, Horan weaves little-known facts into a compelling narrative, vividly portraying the conflicts and struggles of a woman forced to choose between the roles of mother, wife, lover, and intellectual. Horan’s Mamah is a woman seeking to find her own place, her own creative calling in the world. Mamah’s is an unforgettable journey marked by choices that reshape her notions of love and responsibility, leading inexorably ultimately lead to this novel’s stunning conclusion. Elegantly written and remarkably rich in detail, Loving Frank is a fitting tribute to a courageous woman, a national icon, and their timeless love story. Advance praise for Loving Frank: “Loving Frank is one of those novels that takes over your life. It’s mesmerizing and fascinating–filled with complex characters, deep passions, tactile descriptions of astonishing architecture, and the colorful immediacy of daily life a hundred years ago–all gathered into a story that unfolds with riveting urgency.” –Lauren Belfer, author of City of Light “This graceful, assured first novel tells the remarkable story of the long-lived affair between Frank Lloyd Wright, a passionate and impossible figure, and Mamah Cheney, a married woman whom Wright beguiled and led beyond the restraint of convention. It is engrossing, provocative reading.” ——Scott Turow “It takes great courage to write a novel about historical people, and in particular to give voice to someone as mythic as Frank Lloyd Wright. This beautifully written novel about Mamah Cheney and Frank Lloyd Wright’s love affair is vivid and intelligent, unsentimental and compassionate.” ——Jane Hamilton “I admire this novel, adore this novel, for so many reasons: The intelligence and lyricism of the prose. The attention to period detail. The epic proportions of this most fascinating love story. Mamah Cheney has been in my head and heart and soul since reading this book; I doubt she’ll ever leave.” –Elizabeth Berg

Representations of multiracial Americans, especially those with one black and one white parent, appear everywhere in contemporary culture, from reality shows to presidential politics. Some depict multiracial individuals as mired in painful confusion; others equate them with progress, as the embodiment of a postracial utopia. In Transcending Blackness, Ralina L. Joseph critiques both depictions as being rooted in--and still defined by--the racist notion that blackness is a deficit that must be overcome. Analyzing emblematic representations of multiracial figures in popular culture--Jennifer Beals's character in the The L Word; the protagonist in Danny Senza's novel Caucasia; the title character in the independent film Mixing Nia; and contestants in a controversial episode of the reality show America's Next Top Model, who had to "switch ethnicities" for a photo shoot--Joseph identifies the persistence of two widespread stereotypes about mixed-race African Americans, those of "new millennium mulattas" and "exceptional multiracials." The former inscribes multiracial African Americans as tragic figures whose blackness predestines them for misfortune; the latter rewards mixed-race African Americans for successfully erasing their blackness. Addressing questions of authenticity, sexuality, and privilege, Transcending Blackness refutes the idea that race no longer matters in American society.

The purpose of art, the Paris-trained artist Amrita Sher-Gil wrote in 1936, is to "create the forms of the future" by "draw[ing] its inspiration from the present." Through art, new worlds can be imagined into existence as artists cultivate forms of belonging and networks of association that oppose colonialist and nationalist norms. Drawing on Edward Said's notion of "affiliation" as a critical and cultural imperative against empire and nation-state, Worldly Affiliations traces the emergence of a national art world in twentieth-century India and emphasizes its cosmopolitan ambitions and orientations. Sonal Khullar focuses on four major Indian artists--Sher-Gil, Maqbool Fida Husain, K. G. Subramanyan, and Bhupen Khakhar--situating their careers within national and global histories of modernism and modernity. Through a close analysis of original artwork, archival materials, artists' writing, and period criticism, Khullar provides a vivid historical account of the state and stakes of artistic practice in India from the late colonial through postcolonial periods. She discusses the shifting terms of Indian artists' engagement with the West--an urgent yet fraught project in the wake of British colonialism--and to a lesser extent with African and Latin American cultural movements such as Négritude and Mexican muralism. Written in a lucid and engaging style, this book links artistic developments in India to newly emerging histories of modern art in Asia, Africa, and Latin America. Drawing on original research in the twenty-first-century art world, Khullar shows the persistence of modernism in contemporary art from India and compares its function to Walter Benjamin's ruin. In the work of contemporary artists from India, modernism is the ground from which to imagine futures. This richly illustrated study juxtaposes little-known, rarely seen, or previously unpublished works of modern and contemporary art with historical works, popular or mass-reproduced images, and documentary photographs. Its innovative art program renders newly visible the aesthetic and political achievements of Indian modernism.

Young Ho Kim was born in Seoul, Korea. He has a B.A. in English Literature from Han Kuk University, and an M.A. and Ph.D. in Comparative Literature from the University of Illinois. He is professor emeritus of English at Soong Sil University in Seoul, Korea. Mr. Kim served as President of the Society of Literature and Religion, as well as on the Advisory Board of the Korean Comparative Literature Association. He has published and translated many books and articles. His honors include numerous awards for poetry in Korea.

A remarkable novel of a young widow following her dreams Moorti - widowed at just 17 and about to be burned on her husband's funeral pyre - is saved from the fire by a mysterious Englishman. Taken to safety and given employment by her saviour Job Charnock, Moorti, renamed Maria, must embrace her new life amongst the English traders. But the intelligent and talented Maria is not content to be a servant for the rest of her life, and seizes the opportunity to learn English. This, she hopes, will bring her closer to the kind and gentle Job. But with so many obstacles in her path, will she be able to overcome adversity and danger in the pursuit of her dreams? Filled with the heat and beauty of India, Maria's story of compassion, hope and love lingers long after the final page.

Poetry. "100,000 drones above us, a headline said. / Someone must love us, must be eager to know us," Tod Marshall writes in the title poem of his third collection, BUGLE. Notes of (self) surveillance blast throughout this book, which shakes its readers awake to encounter the slagheap of extraction (mineral and confessional), the dark corners of containment (domestic and poetic), and the possibilities (sometimes hopeful, often grim) of transformation.

Arguably the world's most popular partnered social dance form, salsa's significance extends well beyond the Latino communities which gave birth to it. The growing international and cross-cultural appeal of this Latin dance form, which celebrates its mixed origins in the Caribbean and inSpanish Harlem, offers a rich site for examining issues of cultural hybridity and commodification in the context of global migration. Salsa consists of countless dance dialects enjoyed by varied communities in different locales. In short, there is not one dance called salsa, but many. Spinning Mambo into Salsa, a history of salsa dance, focuses on its evolution in three major hubs for international commercial export - New York, Los Angeles, and Miami. The book examines how commercialized salsa dance in the 1990s departed from earlier practices of Latin dance, especially 1950smambo. Topics covered include generational differences between Palladium Era mambo and modern salsa; mid-century antecedents to modern salsa in Cuba and Puerto Rico; tension between salsa as commercial vs. cultural practice; regional differences in New York, Los Angeles, and Miami; the role of theWeb in salsa commerce; and adaptations of social Latin dance for stage performance. Throughout the book, salsa dance history is linked to histories of salsa music, exposing how increased separation of the dance from its musical inspiration has precipitated major shifts in Latin dance practice. As a whole, the book dispels the belief that one version is more authentic than another by showing how competing styles came into existence and contention. Based on over 100 oral history interviews, archival research, ethnographic participant observation, and analysis of Web content and commerce,the book is rich with quotes from practitioners and detailed movement description.

"Lootas, Little Wave Eater tells the story of a four-week-old orphaned sea otter that was adopted by the Seattle Aquarium. Color photographs throughout the book show how human handlers raised Lootas, then introduced her to other otters, and finally weaned her from constant human contact. Illustrations help educate young readers about sea otter habitat, food, anatomy, predators, and more. Royalties from sales of this book benefit the Seattle Aquarium's Sea Otter Program."

In 1920s Southern California, Lupita Camacho leaves Mexico and settles not far from the border--and so begins the journey of an American family told by a chain of tales stretching across three generations. Early stories track Lupita's concessions to the demands of her new country and her new fish cannery job overseen by a lecherous boss who makes sure Lupita, her friend Rosa, and their Chinese coworkers work long, hard, and, for the most part, in silence, since speaking any languagebut English is forbidden. The family's first-generation Americans populate later stories as they work toward assimilation, complete with kidney-shaped inground pools, even though their homes and children never quite match those in the pages of Ladies Home Journal. Finally, distanced from the culture of their ancestors and freed from the stigma of accented English, Lupita's grandchildren live lives that are as wide-open as America: hosting karaoke nights, becoming female wrestlers, arriving at high school reunions utterly transformed. However, these modern-day family members discover that despite their freedom, they somehow remain set apart. In a time when the word "immigrant" has become politically charged and sometimes stripped of its earlier sense of dignity, these exquisitely human stories provide welcome restoration. In Hola and Goodbye, Donna Miscolta's altogether fascinating and flawed characters face progress and failure against the backdrop of each new generation--bound together, and to us all, by the search for a place in this world.

One of America's greatest investigative reporters brings to life the gripping, no-holds-barred clash of two American titans: Robert Kennedy and his nemesis Jimmy Hoffa. From 1957 to 1964, Robert Kennedy and Jimmy Hoffa channeled nearly all of their considerable powers into destroying each other. Kennedy's battle with Hoffa burst into the public consciousness with the 1957 Senate Rackets Committee hearings and intensified when his brother named him attorney general in 1961. RFK put together a "Get Hoffa" squad within the Justice Department, devoted to destroying one man. But Hoffa, with nearly unlimited Teamster funds, was not about to roll over. Drawing upon a treasure trove of previously secret and undisclosed documents, James Neff has crafted a brilliant, heart-pounding epic of crime and punishment, a saga of venom and relentlessness and two men willing to do anything to demolish each other.

In this first book-length study of media images of multiracial Asian Americans, Leilani Nishime traces the codes that alternatively enable and prevent audiences from recognizing the multiracial status of Asian Americans. Nishime's perceptive readings of popular media--movies, television shows, magazine articles, and artwork--indicate how and why the viewing public often fails to identify multiracial Asian Americans. Using actor Keanu Reeves and the Matrix trilogy, golfer Tiger Woods as examples, Nishime suggests that this failure is tied to gender, sexuality, and post-racial politics. Also considering alternative images such as reality TV star Kimora Lee Simmons, the television show Battlestar Galactica, and the artwork of Kip Fulbeck, this incisive study offers nuanced interpretations that open the door to a new and productive understanding of race in America.

A SECRET WORTH KILLING FOR... In July 1970, actress Elaina Styles was slain in her rented Seattle mansion along with her husband and their son's nanny. When the baby's remains were found buried in a shallow grave close to a hippie commune, police moved in--only to find all its members already dead in a grisly mass suicide.   AGAIN... Now, decades later, a film about the murders is shooting at the mansion. On-set caterer Laurie Trotter ignores gossip that the production is cursed. But then people start dying...   AND AGAIN... As Laurie digs deep into what happened all those years ago, the truth emerges more twisted than any whispered rumor, as a legacy of brutal vengeance reaches its terrifying climax...

Greg Perkins' 19-volume Darkness Before Mourning is one of the largest series of serious fiction ever created by a single author. Over 40 years in the making, the novels comprise over 10,000 pages in manuscript. Publishing the project has required an enormous editorial team to ensure that the complete series will be issued in only 2 years, starting with Volume I, The Announcers. Each independent work forms part of a biographical continuum, exploring in profoundly dark semi-fictionalized form the author's searing experiences. This, the first volume of the series, will be published in July, 2015, with the rest of the works following over the following 24 months. Perkins' absolutist realism, unredeemed by faith, is best compared to Thomas Bernhard, Albert Camus, or Samuel Beckett. The series is a remarkable window into American society, life, family and personal relationships from the 1950s to the present. In The Announcers, a man relives one of the pivotal periods that shaped his life: the two seasons he spent in Little League with his father, the team's announcer, who was secretly dying of cancer.

The first full-scale history of the Makah people of the Pacific Northwest, whose culture and identity are closely bound to the sea For the Makahs, a tribal nation at the most northwestern point of the contiguous United States, a deep relationship with the sea is the locus of personal and group identity. Unlike most other indigenous tribes whose lives are tied to lands, the Makah people have long placed marine space at the center of their culture, finding in their own waters the physical and spiritual resources to support themselves. This book is the first to explore the history and identity of the Makahs from the arrival of maritime fur-traders in the eighteenth century through the intervening centuries and to the present day.   Joshua L. Reid discovers that the "People of the Cape" were far more involved in shaping the maritime economy of the Pacific Northwest than has been understood. He examines Makah attitudes toward borders and boundaries, their efforts to exercise control over their waters and resources as Europeans and then Americans arrived, and their embrace of modern opportunities and technology to maintain autonomy and resist assimilation. The author also addresses current environmental debates relating to the tribe's customary whaling and fishing rights and illuminates the efforts of the Makahs to regain control over marine space, preserve their marine-oriented identity, and articulate a traditional future.

For most of the past century, Humbug Valley, a forest-hemmed meadow sacred to the Mountain Maidu tribe, was in the grip of a utility company. Washington's White Salmon River was saddled with a fish-obstructing, inefficient dam, and the Timbisha Shoshone Homeland was unacknowledged within the boundaries of Death Valley National Park. Until people decided to reclaim them. In Reclaimers, Ana Maria Spagna drives an aging Buick up and down the long strip of West Coast mountain ranges--the Panamints, the Sierras, the Cascades--and alongside rivers to meet the people, many of them wise women, who persevered for decades with little hope of success to make changes happen. In uncovering their heroic stories, Spagna seeks a way for herself, and for all of us, to take back and to make right in a time of unsettling ecological change.

Seattle Walks is an idiosyncratic walking guide to Seattle combining natural history, human history, and David Williams’s unique store of knowledge as a life-long and very curious resident of Seattle. The walks offer surprises for those who think they know Seattle well and will be very appealing to Seattle newcomers and tourists seeking an active way to get to know the city.