Video & Streaming Video: Streaming Collection Highlights

The Lure (2015)

This genre-defying horror-musical mash-up—the bold debut of Polish director Agnieszka Smoczyńska—follows a pair of carnivorous mermaid sisters drawn ashore to explore life on land in an alternate 1980s Poland.

Their tantalizing siren songs and otherworldly auras make them overnight sensations as nightclub singers in the half-glam, half-decrepit world of Smoczyńska’s imagining. The director gives fierce teeth to her viscerally sensual, darkly feminist twist on Hans Christian Andersen’s “The Little Mermaid,” in which the girls’ bond is tested and their survival threatened after one sister falls for a human.

Au Revoir les Enfants (1987)

This late work from French writer-director Louis Malle tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.

Lady Bird (2017)

Directed by Greta Gerwig and nominated for five Oscars, LADY BIRD is a warm, affecting comedy about a high schooler (Saoirse Ronan) who must navigate a loving but turbulent relationship with her strong-willed mother (Laurie Metcalf) over the course of her eventful and poignant senior year of high school.

Donnie Darko (2001)

Donnie Darko (Jake Gyllenhaal) is a disturbed adolescent from a semi-functional, upper-middle class family, gifted with a sharp intellect and vivid imagination - but he's also a bit weird. Donnie's off his medication and when his boredom is obliterated by a falling airline engine, he becomes increasingly delusional and convinced the world will end in 28 days. Aided by an imaginary friend, he embarks on an increasingly crazed series of actions, which horrify his teachers, scare his parents and amaze his friends.

Seven Samurai (1954)

One of the most thrilling movie epics of all time, SEVEN SAMURAI (Shichinin no samurai) tells the story of a sixteenth-century village whose desperate inhabitants hire the eponymous warriors to protect them from invading bandits.

This three-hour ride from Akira Kurosawa — featuring legendary actors Toshiro Mifune and Takashi Shimura — seamlessly weaves philosophy and entertainment, delicate human emotions and relentless action, into a rich, evocative, and unforgettable tale of courage and hope.

Breathless: À bout de souffle (1960)

There was before Breathless, and there was after Breathless. Jean-Luc Godard burst onto the film scene in 1960 with this jazzy, free-form, and sexy homage to the American film genres that inspired him as a writer for Cahiers du cinéma. With its lack of polish, surplus of attitude, anything-goes crime narrative, and effervescent young stars Jean-Paul Belmondo and Jean Seberg, Breathless helped launch the French New Wave and ensured that cinema would never be the same.

The Seventh Seal (1957)

Disillusioned and exhausted after a decade of battling in the Crusades, a knight (Max von Sydow) encounters Death on a desolate beach and challenges him to a fateful game of chess.

Much studied, imitated, even parodied, but never outdone, Bergman’s stunning allegory of man’s search for meaning, THE SEVENTH SEAL (Det sjunde inseglet), was one of the benchmark foreign imports of America’s 1950s art-house heyday, pushing cinema’s boundaries and ushering in a new era of moviegoing.

The Great Dictator (1940)

Chaplin, in his first pure talkie, brings his sublime physicality to two roles: the cruel yet clownish “Tomainian” dictator and the kindly Jewish barber who is mistaken for him. Featuring Jack Oakie and Paulette Goddard in stellar supporting turns, THE GREAT DICTATOR, boldly going after the fascist leader before the U.S.’s official entry into World War II, is an audacious amalgam of politics and slapstick that culminates in Chaplin’s famously impassioned speech.

Rashomon (1950)

Four people give different accounts of a man’s murder and the rape of his wife, which director Akira Kurosawa presents with striking imagery and an ingenious use of flashbacks. This eloquent masterwork and international sensation revolutionized film language and introduced Japanese cinema—and a commanding new star by the name of Toshiro Mifune—to the Western world.