Puget Sounds Honors Seminar (Spring 2012): wk 4

M 4/16

Due: come prepared to discuss your final paper/project idea and the following…

Psychedelic, Soul, & Funk (1960s-1970s)...

• Blecha, Peter. 2009. Sonic boom: the history of Northwest rock, from "Louie Louie" to "Smells like teen spirit". New York: Backbeat Books: pp. 194-219. (eres)
• Blecha, Peter. 2011. Jimi Hendrix: 1942 - 1970. 
• WATCH - Maas, Jennifer, Michelle Witten, Matt Sullivan, and Sir Mix-A-Lot. 2011. Wheedle's groove [Seattle's forgotten soul of the 1960s and '70s]. Seattle, WA: Cinewax. (eres)
• WATCH - Hendrix, Jimi, Don Covay, Rosa Lee Brooks, Little Richard, Frank Howard, Ray Sharpe, Jimmy Norman, et al. 2010. West Coast Seattle boy the Jimi Hendrix anthology. New York, NY: Experience Hendrix/Legacy. (eres)

Additional, but not required...

• Cross, Charles R. 2005. Room full of mirrors: a biography of Jimi Hendrix. New York: Hyperion: pp. 8-83. (eres)

W 4/18

Due: come prepared to share ideas you have for your final project and discuss the following…

Copyright, ethics, and intellectual property...

• Seeger, Anthony. 1996. "Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property". Yearbook for Traditional Music. 28: 87-105: http://alliance-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/search.do?fn=search&vid=UW&vl%28freeText0%29=15400364507513
• "Rights, Intellectual Property and Archives Today." In Archives for the Future: Global Perspectives on Audiovisual Archives in the 21st Century (2004): http://seagullindia.com/archive/chapter03.pdf
• Brewer, Michael, and the ALA Office for Information Technology Policy. "Section 108 Spinner." http://www.librarycopyright.net/108spinner/ (Also check out Columbia's site on 108: http://copyright.columbia.edu/copyright/libraries-and-copyright/section-108/)
• Stanford University Libraries. "Fair Use." http://fairuse.stanford.edu/Copyright_and_Fair_Use_Overview/index.html
• US Copyright Office. "Fair Use." http://www.copyright.gov/fls/fl102.html
• Cornell University. "Copyright Terms and the Public Domain in the United States." http://copyright.cornell.edu/resources/publicdomain.cfm
• Biegle, Stuart. 2003. "Basic Principles of US Copyright Law." UCLA Dept. of Information Studies. (eres)

Additional, but not required...

• Adler, Prudence S., Patricia Aufderheide, Brandon Butler, and Peter Jaszi. 2012. Code of best practices in fair use for academic and research libraries. [Washington, D.C.]: Association of Research Libraries. http://www.arl.org.offcampus.lib.washington.edu/bm~doc/code-of-best-practices-fair-use.pdf
• Hirtle, Peter. "Digital Preservation and Copyright." http://fairuse.stanford.edu/commentary_and_analysis/2003_11_hirtle.html
• Chanan, Michael. 1995. Repeated takes: a short history of recording and its effects on music. London: Verso: pp. 23-36.
• Chaudhuri, Shubha. 2009. "Intellectual Property Managment in an Ethnomusicology Archive: An Empirical View from India." http://www.wipo.int/export/sites/www/tk/en/culturalheritage/casestudies/chaudhuri_report.pdf
• Lally, Ann and John Vallier. 2011. “Collecting Online Music Project.” NEH Digital Humanities Start-Up Grant. Final Report available here.
• US Copyright Office. 28-Dec-2011. "Federal Copyright Protection for Pre-1972 Sound Recordings." http://www.copyright.gov/docs/sound/
• Morton, David. 2004. “The Introduction of Discs” and "The Postware Scene" In Sound recording: the life story of a technology. Westport, CT: Greenwood Press: http://alliance-primo.hosted.exlibrisgroup.com/primo_library/libweb/action/search.do?fn=search&vid=UW&vl%28freeText0%29=65404119

(Fieldwork Opportunity - Huskyfest 2012: April 19-21 http://www.washington.edu/huskyfest/)