Puget Sounds Honors Seminar (Spring 2012): wk 5

M 4/23

Guest Speaker: Laurel Sercombe

Due: come prepared to discuss the following...

Hard Rock, Punk, Ethnomusicology (Puget Sounds 1970s - 1980s)...

• Tow, Stephen. 2011. The strangest tribe: how a group of Seattle rock bands invented grunge. Seattle: Sasquatch Books: pp. 1-42. (eres)
• Blecha, Peter. 2007. Music in Washington: Seattle and beyond. Charleston, SC: Arcadia Pub: pp. 104-116. (eres)

On cultural gray out...

• Lomax, Alan. 1972. "Appeal for Cultural Equity". World of Music. 14 (2): 3-17: http://www.jstor.org.offcampus.lib.washington.edu/stable/30249739

We will watch part of this film in class:

• Epps, Douglas and Laurel. Soul Resonance: A Cross-Cultural Celebration of Zimbabwean Music. Sacred Path Explorations. (eres)

W 4/25

Due: come prepared to discuss the following...

Fieldwork...

• Society for Ethnomusicology. 1994. A manual for documentation, fieldwork & preservation for ethnomusicologists. Bloomington, IN: Society for Ethnomusicology (also check out the in progress 2nd edition linked from this same page).
• Bartis, Peter. 2002. Folklife and Fieldwork. Washington D.C.: Library of Congress. Available online at: http://www.loc.gov/folklife/fieldwork/
• Barz, Gregory F., and Timothy J. Cooley. 1997. "Casting Shadows in the Filed: An Introduction." In Shadows in the field: new perspectives for fieldwork in ethnomusicology. New York: Oxford University Press: pp. 1-19. (eres)
• UCLA Ethnomusicology Archive. “Documentation Forms.” Available online at http://www.ethnomusic.ucla.edu/archive/collections/forms/
• "UW Oral History Permission Form." (eres)

On academic libraries...

• Pierre, Peter. 2005. "The academic library: a post-modern Lazarus?" Australian Library Journal. 54 (2): 148-54. http://www.alia.org.au/publishing/alj/54.2/full.text/pierre.html